Bandages, Courage, and Camaraderie: My Years as a Wartime Nurse

Some memories never soften with time—they stay sharp, like the snap of cold morning air in the field hospitals.

I was only nineteen when I signed up. Not out of bravery, not really. It just felt like the right thing to do. The boys were going, and the nurses were needed. My mother cried the day I left, but she stitched my name into the collar of every uniform and packed my bag with lavender sachets.

We trained quickly—there wasn’t time to dawdle. Before long, I was posted to a casualty clearing station near Tobruk. Dust, heat, and the endless whir of stretchers. We worked in shifts that blurred into each other—triaging wounds, cleaning burns, writing letters for men who couldn’t hold a pen. I can still smell the antiseptic and hear the groans that filled those canvas walls at night.

But there was laughter, too. Real, belly-deep laughter. We made tea over camp stoves, sang songs off-key, and danced in the aisles of the supply tent when no one was watching. There was a kind of camaraderie in it all—a bond forged not just by duty, but by shared resilience.

The worst was the waiting. After a raid, before the stretchers came in—that stillness was the heaviest of all. But we got through it. Bandage by bandage, breath by breath.

When people call me a hero, I shake my head. I was a nurse. I held hands, gave morphine, whispered comforts, and sometimes—when there was nothing else—I just sat with them.

And when I think of those years now, I don’t dwell on the pain. I remember the courage. The friendships. The quiet strength of ordinary people doing extraordinary things.

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Milk Bottles, Trams, and Sunburnt Knees: Sydney in the ‘50s

I remember the clink of milk bottles before dawn, left by the milko in neat rows on our front step. We’d bring them in quickly before the heat got to them, the cream rising to the top, thick and rich. Nothing was wasted. We rinsed the bottles, left them out again. Everything had its rhythm.

We lived in a modest red-brick terrace near Leichhardt. Life was simpler, but full. I caught the tram most days—green, rattling, and always running just behind schedule. Arthur would wave me off with a half-toasted slice in one hand and a kiss on the cheek. The city felt big then. Department stores with lift attendants, dress gloves for Saturday shopping, and the thrill of a vanilla malted milk at the David Jones café.

I had my knees sunburnt more times than I can count. No sunscreen back then—just zinc on your nose and a hat if your mum insisted. We swam at Coogee, stretched out on beach towels that never quite shook off the sand. The summers were long, and so were the queues for ice blocks.

People looked out for each other. We borrowed sugar from neighbours, shared recipes over the fence, and gathered around the wireless for the cricket or the King’s speech. No one had much, but we had enough—and we had each other.

Sometimes I miss the hush of a tram rolling into the street, or the sound of a wooden clothesline creaking under the weight of fresh-washed sheets. They were small things, everyday things—but to me, they were everything.

And when I sit quietly now, eyes closed, I can still feel it: the warmth of the sun on my knees, the rattle of the tram, and the soft clink of milk bottles at dawn.

red-brick terrace near Leichhardt.
red-brick terrace near Leichhardt.

Arthur’s Laugh, and Other Pieces of My Heart

There are sounds that never leave you.

For me, it’s Arthur’s laugh. Deep, rich, a little mischievous. The kind of laugh that could fill a room and smooth the edges of a hard day. I first heard it in 1952, outside the bakery on George Street. He’d dropped his meat pie, looked up at me with a shrug, and laughed like the world hadn’t just crumbled in pastry at his feet.

I think I fell in love right then.

We were married in the spring of ’54. It was a simple church ceremony—lace gloves, borrowed veil, sandwiches in the church hall afterwards. We didn’t have much, but Arthur made everything feel grand. He found joy in the smallest things: ironing his shirts to music from the wireless, fixing up the old Holden on Saturdays, reading the paper out loud in a way that made headlines sound like bedtime stories.

He made me laugh, too. Especially when he danced. Arthur was tall, lanky, and rhythmically cursed—but he’d twirl me around the kitchen like Fred Astaire, humming to Perry Como.

We had three children. He called them “the trilogy,” as if our life together had chapters. And now, decades later, I sit with a cup of tea and a biscuit he would’ve stolen when he thought I wasn’t looking, and I can still hear him—laughing in the garden, chuckling at his own corny jokes, whispering one last joke into my ear at night.

Arthur’s gone now. But his laugh… it lives in the walls of our home, in the memories of our children, and in the very rhythm of my heart.

Some loves never fade. They just echo.

Arthur and Mary - 2020
Arthur and Mary - 2020
A yellow tram in Sydney
A yellow tram in Sydney